The Australian Chamber Orchestra's 2012 season has been named the best of any arts company in the country by Limelight magazine: "If there is one program this year in which everything could be classed as "unmissable", and in which every concert feels too far away, it's the ACO's."
Musically and emotionally ambitious is a concert combining Schubert's Trout Quintet and Messiaen's Quartet for the End of Time, polar opposites in feeling yet linked by the circumstances of their creation.
Russian pianist Polina Leschenko returns in February to feature in the ACO's next recording for the BIS record label. Leschenko is a Chopin specialist and premieres Tognetti's new arrangement of the Piano Concerto No.1. In the same concert, the ACO's Guarneri, Stradivarius and Guadagnini violins are compared in a Paganini arrangement by Tognetti.
In a season that swoops across centuries, continents and styles, it's nice to have two moments of focus. Richard Egarr's program in October delves into music from the beginning of the Baroque to the start of the Classical period - 200 years of immense invention and imagination, particularly in string writing. Steven Osborne is guest pianist in November in an entirely Russian program by Prokofiev, Shostakovich and Tchaikovsky.
As Limelight says, "It's a season full of twists and turns buy, mysteriously, it somehow all hangs together like a brightly lit constellation - proof that programming can be an artform unto itself."
Australian Chamber Orchestra
Internationally renowned for inspired programming and the rapturous response of audiences and critics, the Australian Chamber Orchestra is a product of our country’s vibrant, adventurous and enquiring spirit. In performances around Australia, around the world and on many recordings, the ACO moves hearts and stimulates minds with repertoire spanning six centuries and a vitality and virtuosity unmatched by other ensembles.
The ACO was founded in 1975. Every year, this ensemble presents performances of the highest standard to audiences around the world, including 10,000 subscribers across Australia. The ACO’s unique artistic style encompasses not only the masterworks of the classical repertoire, but innovative cross-artform projects and a vigorous commissioning program.
The outstanding Australian musician Richard Tognetti was appointed as Artistic Director and Lead Violin in 1989. Under his inspiring leadership, the ACO has performed as a flexible and versatile ‘ensemble of soloists’, on modern and period instruments, as a small chamber group, a small symphony orchestra, and as an electro-acoustic collective. In a nod to past traditions, only the cellists are seated – the resulting sense of energy and individuality is one of the most commented-upon elements of an ACO concert experience.
Regular international tours to Asia, Europe and the USA have drawn outstanding reviews for the ACO’s performances at many of the world’s prestigious concert halls, including Amsterdam’s Concertgebouw, London’s Wigmore Hall, New York’s Carnegie Hall and Lincoln Center, Vienna’s Musikverein, Birmingham’s Symphony Hall and Washington D.C.’s Kennedy Center.
The ACO’s dedication and musicianship has created warm relationships with such celebrated soloists as Emmanuel Pahud, Steven Isserlis, Dawn Upshaw, Imogen Cooper, Christian Lindberg, Joseph Tawadros, Melvyn Tan and Pieter Wispelwey. The ACO is renowned for collaborating with artists from diverse genres, including singers Tim Freedman, Neil Finn, Katie Noonan, Paul Capsis, Danny Spooner and Barry Humphries and visual artists Michael Leunig, Bill Henson, Shaun Tan and Jon Frank. Committed to Australian composition, the ACO has given 1700 performances of over 250 works by 80 Australian composers.
Several of the ACO’s musicians perform with spectacularly fine instruments. Tognetti plays a 1743 Guarneri del Gesù violin, on loan from an anonymous Australian benefactor. Principal Cello Timo-Veikko Valve plays a 1729 Giuseppe Guarneri Filius Andreae cello, on loan from Mr Peter Weiss AM. Principal 2nd Violin Helena Rathbone plays a 1759 Guadagnini violin on loan from the Commonwealth Bank Group. Assistant Leader Satu Vänskä plays a 1728/29 Stradivarius violin owned by the ACO Instrument Fund, through which investors participate in the ownership of historic instruments.
The ACO has made acclaimed recordings for labels including ABC Classics, Sony, Channel Classics, Hyperion, EMI and Chandos and currently has a recording contract with BIS. Highlights include the three-time ARIA Award-winning Bach recordings and Vivaldi Concertos with Emmanuel Pahud. The ACO appears in the television series Classical Destinations II and the multi-award-winning film Musica Surfica.
In 2005, the ACO inaugurated an ambitious national education program, which includes outreach activities and mentoring of outstanding young musicians, including the formation of ACO2, an elite training orchestra which tours regional centres.
RUSSION VISIONS
Thur 22 Nov 2012, 7.30pm
PRICE TYPE A RESERVE B RESERVE C RESERVE
A – ADULTS $92.65 $72.65 $52.65
B - Extra Tickets
ACO subscriber $84.75 $65.75 $47.45
E - ACO sponsors $84.75 $65.75 $47.75
P – Concession $79.65 $62.65 $45.65
G - Group 10 plus $79.10 $62.10 $45.10
X - Under 30 years $48.65 $48.65 $48.65
S - Student Rush $21.85 $21.85 $21.85
"B" Reserve Requirements (if required)
Please discuss your requirements with the Senior Box office Coordinator |
